Voice
I heard over and over in my fiction novel proposal rejection letters that I needed to work on my voice. But I never understood what they meant or where to find information on voice techniques. Recently I attended a writer's conference and learned a lot about voice. It finally made sense to me. I learned what I'd been doing wrong in my fiction. Why my non-fiction sold but my fiction didn't do so well, even if it did sell.
Authoritative voice is the person telling the story, the narrator. It needs to have character in and of itself. This voice leads all the other voices. This is only needed in third-person. When you tell a story, there needs to be metaphors, similes and uniqueness, only to the narrator. It sets the tone and mood for the entire novel and stays similar in personality and style. The difference between voice and simply writing are dramatic.
For example: He walked out to the stream. . He looked out into the water. He ran into a dog. He looked at the sky and noticed it had stars and clouds.
Here is an added authoritative voice to the story. There are countless ways to add your own unique voice. Here's an example: The home-filled cabin went up in flames. The dark rain clouds revealed a blood-colored moon. The cold, menacing water turned red.
Later on you can add the character's voice and point of view. ( Scott's relief washed over him as the water cleaned the blood of his cops uniform. so on so on. Here you can narrow in on what the character is thinking. I'd assume he's a sociopath who just hurt someone and doesn't care. He wants to admire his handiwork. He is a cop so he is probably going to get away with his crime and keep on committing more. The authoritative voice sets the tone for the character and the plot.)
Make your authoritative voice solid. If it is going to be British, keep it British. Is the story formal so should the voice be. Is the story a comedy, then keep the tone light and humorous.
The point of view character needs to assimilate well with the authoritative voice, yet it has to be different.
In first-person the character voice takes the lead. What one character says has to be unique to only that character. So the main point of view character has to talk in a way that none of the other characters would talk. What they say can't fit easily into other characters. A hillbilly doesn't sound the same as a teenage New Yorker girl. Obviously.
Let me know if you have anything to add below or anything you can recommend for me to learn more about voice. I still have a long ways to go.
Thank you for reading.
Everyone is unique and is important enough to have a story that adds to the world.
Thursday, April 28, 2016
Saturday, April 23, 2016
A Near Death Experience Changed Me
Rachelle Graham as
told to by Billy Monteo (last name was changed to protect to privacy)
Billy grew up in
troubled times in an environment where gangs were more common than after-school
activities. Guns were easier to find than brand new textbooks. Crimes were
broken and nothing near as innocent as truancy.
He wasn’t blessed with a conscience. That
gift wasn’t on his short list. He was also dirt poor. Whatever remorse he felt was buried deep. If
he had had any money to go to a psychologist, a diagnosis of antisocial personality
or sociopath would be fitting. He didn’t care. Nothing mattered to him, except
maybe a cold brew, money and a cute girl.
Billy spent his time
with people who robbed cars and stereos and stores like they were entitled.
Nothing was too far for him, even shooting at opposing gangs while innocent
people’s lives were in the cross hairs. He swears now he never killed anyone.
But maybe that was what he needed to tell himself in order to feel content with
his life now. A life way different than the one he was brought up in.
When Billy was in
his twenties he slit his wrists. The tub was full of blood and he was drunk as
can be. Still, he remembered the pain was intense. Nothing was going to stop
him from cutting, he said. Severe depression was also on his short list. He
wanted no more pain.
His heart was
officially dead long enough for him to have the experience of his life. An
experience which changed his life and gave him something he may or may not have
been born with. It took losing his heart to gain one.
He drifted away from his body as his last
rites were being read over the sheet placed over his body. “By the Blood of the cross forgive
his/her sins and failings. Remember the faith of those who mourn.”
A guide led him to
an unpleasant place by way of a downward tunnel. He described this place as hell. Spirits were
reaching out to him and throwing things at him, trying to get his attention.
They were there to better themselves but were moving at a slow pace. They
wanted his help. They wanted a chance to go back and change their time on
Earth.
He was brought out
of hell and into the light, where Jesus or a being of light showed him many
things. His life review, the pain he’d caused others and the pain he’d caused
himself. He also saw the world from the beginning to the end. To him, the
experience was hard to remember.
A few other being
of light appeared, standing next to Jesus. They were debating whether he would
get another chance on Earth to prove himself. The area was warm, safe and protected.
Everything was so light he wondered why he didn’t need sunglasses. Everyone
communicated telepathically and he could feel immense unconditional love and
forgiveness radiated from everyone. He
didn’t want to go anywhere. He wanted to stay there forever, he’d never been
happier.
A being of light he
said was God telepathically responded, “He is one of my favorite spirits. We
need to let him go down to make things better.”
Another being of
light disagreed. “He didn’t quite make the cut. He needs to go to hell.” They
both looked at him and searched for the answers. The brass machine in the
middle of the room wasn’t facing up. It was facing down.
Billy begged for the
chance to go back and make things right. He wanted to stay right where he was.
But that was not an option. It was made clear to him all the good he could do
on this world if he came back.
So the decision
was finally made. He would go back and try again. He would learn remorse and
guilt. He would learn to put people first. And he’d use his religion to help
him help others. He was eager to go back and prove himself. Within minutes, he
was back in his body.
Billy knows he’s still
far from perfect, but he understands empathy and compassion. His feelings shut
off in his past were turned back on. He now has a heart that feels guilt and
can love with real human compassion.
When he came back
alive, his family and priest looked at him as if he was Lazarus. When people
were read their last rite that was it they were gone. The priest had never seen
someone come back before.
He now stays away
from guns, gangs and narcissistic behavior. He’s close to his family and is
good to his friends. Billy now has a pet who loves him because he is kind and
caring to him. He’s written a novel to help those who are ostracized because
they weren’t born the same way. The book may go against his catholic
upbringing, but he knows treating people the same and as if they all matter is
what the people in his near-death experience taught him.
Billy is not afraid
of death, far from it. He welcomes it. He’s also not afraid of hell. It was
painful but he knows it is a place for people to get better.
Lack of conscience
may be a permanent challenge for some, but for Billy it wasn’t.
As someone who
suffered from severe depression for many years, he is now getting his footing
back. He hasn’t tried to kill himself in years and is in recovery. He now
faithfully takes his medication and attends therapy. He learned to not only
love others but how best to love himself. One of the most important lessons he
learned from his experience was how valuable love was.
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